Three and a half years ago, I self-published the novel After the War. You can download it to your Kindle for a short time for free. Go here to grab a copy.
After the War was the first story I’d ever thought of writing. It just took me years–a decade?–and many published books to get this first tale into print.
Maybe the new cover? Maybe not?
I’m offering it for free for several reasons: first, I hope readers will grab it, read it, like it and post a review; second, I’m getting ready to redo its cover and even go through the novel to see if I want to make any refinements, so think of this as a going-out-of-print (temporarily) sale; and third, it is a story with faith elements, and I’m getting ready to have another book with faith elements, Fall From Grace, released this fall by Bancroft Press.
The faith elements in After the War center on the characters of Margaret, a nun, and her sister-in-law, Paula–their struggles with religious rules and with love, both Christian and romantic, ten years after the end of World War II. Margaret (Sister Francis Marie) suffers a nervous breakdown that puts her in the psychiatric wing of Johns Hopkins, while Paula looks for ways to start pre-baptismal counseling so she can convert to Catholicism before her husband discovers she’s not Catholic, after all.
Maybe the new cover? Maybe not?
When I first wrote After the War, I had a different title in mind: The Conversion of Paula. Pretty clever, huh? Luckily, I dropped that and focused instead on a simpler title: Margaret. That changed, too.
As I pondered how to tell you more about the story, I thought maybe just sharing my note to readers at the end of it would sum it all up best. I’ve added a few details to help explain the story and left out some spoilers. After you read it, let me know which cover design you like best. Thanks in advance!
When I first penned this story, it focused exclusively on Paula and Margaret, two women whose approach to life and whose histories were almost direct opposites. Paula, despite her good upbringing, was to be a Mary Magdalene character, while Sister was something of a zealot for whom faith and religion meant rigid adherence to a set of rules. I wanted the book to be an exploration of their approach to faith, Paula’s springing from a desire to be loved and love in return, and Margaret’s coming from a desire to feel safe.
But as I wrote it and rewrote it—I started it years ago and returned to it over time—other characters called out to me to tell their stories. The nurse Kate, who ministers to Sister in Hopkins, for example, had always been a part of my tale but way in the background, her struggle with what to do with her life after accepting widowhood playing out only in relation to Sister Francis Marie’s travails.
The old cover: I’m not sure the nun picture works so well.
Dr. Kaplan’s point of view as Sister’s psychiatrist hadn’t been in early iterations of the novel, and Father Al, the priest whom Paula consults with, hadn’t made an appearance at all.
As I included more about Kate, however, I realized I had to share more about Dr. Kaplan. And I also realized I couldn’t very well write a book that touched on faith issues and not include something about the priest to whom Paula goes for baptismal instruction.
This is when the book’s overarching theme deepened and diverged from my original goal. My initial objective, in fact, became less attainable for me as I realized I didn’t want to write a theological discussion on faith and certainly didn’t feel qualified to pen one even if my inclination was there. I wanted to show how ordinary people dealt with the doubts and assumptions about their faith, if they had any at all. I wanted to show them wrestling with their beliefs as many do today.
Each had had their faith tested, in large and small ways. But in some way, each test was related to…the war.
All the characters had, in some significant way, been affected by the war. As I wrote their stories, the book became about that effect and their reactions, their accommodations to life after the war. Intertwined is the story of faith, but binding it all together is that “after the war” theme.
When I realized this was what I was writing, I thought, “of course.” As a Baby Boomer, I grew up in the late 1950s and 1960s. World War II was still a tangible event, still something that hung over my parents’ lives and that of my friends’ parents, as well. My father’s army uniform (he served in the Philippines after the bombs were dropped) hung in our basement. He’d met my mother when he was stationed at a camp near her Indiana home. My friends’ fathers had served, some in combat. I often felt, in fact, that those years were like a long, warm summer after a bitter cold—and deadly—winter. I might not have experienced the war, but I lived through the collective sigh of relief afterward.
So the “after the war” theme felt natural and real to me, as much a part of this story as Paula’s struggles with love or Margaret’s wrestling with her vocation.
A few words about Margaret’s convent life: I researched the life of nuns in various convents as I wrote this story, and I’m very grateful to Sister Ann Marie Slavin, OSF, for her insights and help. My research provided me with bits and pieces of the convent life in which I wanted to place Margaret. But the Order of Sisters in my novel, as well as their specific Rule, is entirely fictional, and not based on any particular convent or its Rule.
So, that’s the story! I hope you pick up a free copy and enjoy this story, the first one I ever contemplated writing.
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